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That’s admirable, and they achieved it, but it doesn’t necessarily speak to their dedication in telling the dual stories in ASOIAF, namely the “Game of Thrones” where GRRM has devoted hundreds of pages to the complex and nuanced political schemings of Cersei Lannister, Varys, Littlefinger, Stannis Baratheon, and so on and the “Song of Ice & Fire,” the metaphysical battle for humanity which is, by and large, occurring North of the Wall as the Others v e r y s l o w l y make their way south, and those characters who are aware of the threat they pose (Jon Snow, Samwell Tarly, Mance Raydar, Tormund Giantsbane and the rest of the wildlings, Melisandre, Bran Stark, Bloodraven/Three Eyed Crow, Meera and Jojen Reed, eventually Stannis Baratheon and his armies) as they try to work out how to deal with an army of ice zombies who seem to just want kill everything.
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They do, or should, “get it.”īut… do they? They were attracted to making this series because they saw in the Red Wedding a water cooler moment beyond any previous serial television major jaw dropping water cooler moment. GRRM famously agreed to let HBO have the rights to ASOIAF under D&D’s stewardship because they correctly deduced Jon Snow’s parentage. Martin, and ask him exactly where all this is heading.
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When you read interviews with D&D, it’s clear that they’ve read all the ASOIAF books, and associated pre-history books (TWOAIF, the Dunk & Egg novellas, the Dance of the Dragons novellas) plus they’ve had the distinct advantage of being able to talk to the man himself, George R. We live in a world that’s racist enough, thanks very much…) They were apparently inspired to adapt A Song of Ice and Fire into the show that became Game of Thrones because of the Red Wedding – how unusually abrupt and ignoble an ending it was for several key characters, especially the tragic Robb Stark, who won every single battle but lost the war. (And for what it’s worth, #NoConfederate please… we don’t need to imagine a world where the South won the US Civil War. This blog is all the reasons why, in my considered legal opinion, that this totally ridiculous, complete and utter bullshit actually creates more problems than it “fixes.”ĭavid Benioff and Dan Weiss, known in the fandom as “D&D” for a convenient shorthand, are a controversial pair of content creators. The concerning thing is that the show runners seem to think that the audience loves it and it answers questions about Jon and his role in the future Westeros. This is a major problem, and actually doesn’t solve anything – it just introduces more pointless and unnecessary drama. And no one thought to read his memoirs before?) to a rather convenient annulment. Gilly, who has mastered reading (good on you girl!) while Sam’s been cleaning poopy chamber pots, found a reference in a Septon’s diary ( not just some average run of the mill septon who was hanging around Rhaegar’s entourage… but the ACTUAL HIGH SEPTON. The worst offender this season is a doozy. There should have been an opposition to Cersei’s coronation – hell, even if it was just two lines of Random Unnamed Nobles hurrying to the Throne room saying “I don’t like this, but what can we do against the Mad Queen who blew up our most sacred institution?” GIVE US SOME LOGICAL CONSEQUENCES FOR THESE MAJOR ACTION SET PIECES DAMMIT. Only the ones who had speaking parts on the show thus far.
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Not every major lord in Westeros was at Loras’ trial and confession. No Cersei, you don’t just crown yourself Queen because your son died without an heir and because you want to… and you blew up all the nobles that would have been able to tell you to piss off in the Sept of Baelor. You imprison them and take their heir as a hostage/ward to be your page until they say yes. No Dany, you don’t guarantee that the nobles of Westeros will follow you if you burn every Randyl Tarly that says no. That was awesome.īut then… there’s the lack of logical consequences. The show is still doing epic, amazing MOMENTS that make us go WOAH NO WAY SO COOL. Jaime inexplicably went to Dorne, where Ellaria Sand was merged with Arianne Martell to produce a vengeance driven woman who seized power by killing her paramour’s brother, and the Sand Sneks went from interesting but over the top characters to caricatures of the Erotic Exotic, with cringe-inducing lines about liking the “bad pussy.” But then… things started to get a bit wonky. The first 3-4 seasons are fantastic, even with the changes they made from text to screen. But I also genuinely really do like Game of Thrones. YES, I’m a Book Snob who thinks the Books Are Better Than The Show. Hair Transplant on The problem of “Aegon… The ethics of caring in Game of Thrones.This Is It: The End of Game of Thrones Will Be The End of ASOIAF.